The audio critic Tomohiro Kaiyama passed away on January 7 at the age of 84. In accordance with his will, I served as the head of the funeral committee. I’m pleased to report that everything went smoothly. Despite the fact that the start of a new year is such a busy time, more than 300 people attended the funeral. I would like once again to express my sincere gratitude to them. Thank you very much indeed.
In memory of the late Mr. Kaiyama, I will repeat here the content of the speech that I delivered at the funeral.
As you know, after graduating from university, Mr. Kaiyama went on to produce many well-known films, including Nankyoku monogatari (Antarctic Story). He was also an audio enthusiast who built up his own unique world as an audio critic, and his wonderful meticulousness gained him overwhelming support from many fans. Furthermore, Mr. Kaiyama was a film critic who, being a producer himself, was able to introduce works with an experienced eye. His perceptive reviews of visual equipment were extremely popular as well. And Mr. Kaiyama also energetically engaged in the activities of the Music Pen Club Japan, contributing enormously to its development.
Mr. Kaiyama’s unique thinking, the beautiful and profound writing that emerged from those thoughts, and his ability to express himself in words struck a chord with many readers, including myself. He continued writing until very recently, so he really was one who remained active throughout his whole life. I was lucky to have been acquainted with him, both through work and privately, for more than four decades, and I learned a lot from him as a man of culture.
Mr. Kaiyama served as the selection committee chairman for our company’s Visual Grand Prix right from its start. Last year the committee met for the thirtieth time. He also served as a selection committee member for the Audio Excellence Award for 35 years. As the organizer of these awards, in lasting memory of his achievements, we have decided to newly create the Tomohiro Kaiyama Prize in the Visual Grand Prix.
Mr. Kaiyama had already told me that he wanted Shintaro Ohashi to succeed him as selection committee chairman for the Visual Grand Prix. I would like to report here that Mr. Ohashi has kindly accepted the offer to be chairman, and Kenzo Konoike has agreed to serve as vice-chairman.
Mr. Kaiyama’s unshakable philosophy, strong will, and expansive, essence-based vitality are lessons for us all. And more than anything else, he was such a kindhearted person. I can still see his smiling face as he spoke.
I would like to offer my sincere condolences on his demise. Mr. Kaiyama, thank you so much for your kindness and wisdom over so many years. May you rest in peace.